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At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and... Read more
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and the tools that enable it. Structures inform practice: students learn the information and business structures that make effective design possible including research, systems thinking, sustainability, strategy, user experience and interaction/information design. Narratives demand a compelling point of view: students hone their ability to communicate and persuade through personal and passionate storytelling and learn to develop and support their narratives through graphic representation, prototyping, drawing, writing and videography.
Our curriculum acknowledges the radical shifts taking place in the design professions themselves. We recognize a great expansion in the participants of design—from anthropologists, behavioral psychologists and economists, to materials experts and systems specialists—tailoring our curriculum with these professionals (and ultimately, our future collaborators) in mind. Students are immersed in the rigorous discourse, assignments and self-directed projects that challenge the conventions of traditional design disciplines that define products as either “industrial products” or “digital products.”
Lastly, the Products of Design department acknowledges the increased interest—from both the mainstream as well as business press, around the power of design—to fix problems, create value, reinvent businesses and to address vital social and environmental challenges. In their courses, our faculty address the urgent need to reconcile the material, energy, environmental and cultural consequences of design inherent within user production and consumption.
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and... Read more
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and the tools that enable it. Structures inform practice: students learn the information and business structures that make effective design possible including research, systems thinking, sustainability, strategy, user experience and interaction/information design. Narratives demand a compelling point of view: students hone their ability to communicate and persuade through personal and passionate storytelling and learn to develop and support their narratives through graphic representation, prototyping, drawing, writing and videography.
Our curriculum acknowledges the radical shifts taking place in the design professions themselves. We recognize a great expansion in the participants of design—from anthropologists, behavioral psychologists and economists, to materials experts and systems specialists—tailoring our curriculum with these professionals (and ultimately, our future collaborators) in mind. Students are immersed in the rigorous discourse, assignments and self-directed projects that challenge the conventions of traditional design disciplines that define products as either “industrial products” or “digital products.”
Lastly, the Products of Design department acknowledges the increased interest—from both the mainstream as well as business press, around the power of design—to fix problems, create value, reinvent businesses and to address vital social and environmental challenges. In their courses, our faculty address the urgent need to reconcile the material, energy, environmental and cultural consequences of design inherent within user production and consumption.
Selecting the right scholarship can be a daunting process. With countless options available, students often find themselves overwhelmed and confused. The decision can be especially stressful for those facing financial constraints or pursuing specific academic or career goals.
To help students navigate this challenging process, we recommend the following articles:
MFA Products of Design
Manhattan, New York City, United States
# 25QS Subject Rankings
Art and DesignMain Subject Area
Program overview
Main Subject
Art and Design
Degree
MFA
Study Level
Masters
Study Mode
On Campus
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and...
Read more
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and the tools that enable it. Structures inform practice: students learn the information and business structures that make effective design possible including research, systems thinking, sustainability, strategy, user experience and interaction/information design. Narratives demand a compelling point of view: students hone their ability to communicate and persuade through personal and passionate storytelling and learn to develop and support their narratives through graphic representation, prototyping, drawing, writing and videography.
Our curriculum acknowledges the radical shifts taking place in the design professions themselves. We recognize a great expansion in the participants of design—from anthropologists, behavioral psychologists and economists, to materials experts and systems specialists—tailoring our curriculum with these professionals (and ultimately, our future collaborators) in mind. Students are immersed in the rigorous discourse, assignments and self-directed projects that challenge the conventions of traditional design disciplines that define products as either “industrial products” or “digital products.”
Lastly, the Products of Design department acknowledges the increased interest—from both the mainstream as well as business press, around the power of design—to fix problems, create value, reinvent businesses and to address vital social and environmental challenges. In their courses, our faculty address the urgent need to reconcile the material, energy, environmental and cultural consequences of design inherent within user production and consumption.
Read lessProgram overview
Main Subject
Art and Design
Degree
MFA
Study Level
Masters
Study Mode
On Campus
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and...
Read more
At the heart of our program is the mastering of the three fields crucial to the future of design: making, structures and narratives. Making grounds design and designers: students investigate multiple dimensions of physical design practice, its processes and the tools that enable it. Structures inform practice: students learn the information and business structures that make effective design possible including research, systems thinking, sustainability, strategy, user experience and interaction/information design. Narratives demand a compelling point of view: students hone their ability to communicate and persuade through personal and passionate storytelling and learn to develop and support their narratives through graphic representation, prototyping, drawing, writing and videography.
Our curriculum acknowledges the radical shifts taking place in the design professions themselves. We recognize a great expansion in the participants of design—from anthropologists, behavioral psychologists and economists, to materials experts and systems specialists—tailoring our curriculum with these professionals (and ultimately, our future collaborators) in mind. Students are immersed in the rigorous discourse, assignments and self-directed projects that challenge the conventions of traditional design disciplines that define products as either “industrial products” or “digital products.”
Lastly, the Products of Design department acknowledges the increased interest—from both the mainstream as well as business press, around the power of design—to fix problems, create value, reinvent businesses and to address vital social and environmental challenges. In their courses, our faculty address the urgent need to reconcile the material, energy, environmental and cultural consequences of design inherent within user production and consumption.
Read lessScholarships
Selecting the right scholarship can be a daunting process. With countless options available, students often find themselves overwhelmed and confused. The decision can be especially stressful for those facing financial constraints or pursuing specific academic or career goals.
To help students navigate this challenging process, we recommend the following articles:
How to get a full scholarship
Looking for a fully-funded scholarship to see you into university? Find out how to boost your chances of getting one.
Scholarships to study abroad
Find scholarships to study abroad with our lists of international scholarships – categorized by country, by subject, and by type of student.
Scholarship Applications: Frequently Asked Questions
Get answers to all your questions about scholarship applications, including tips on how to find scholarships and chances of success.
QS subject rankings
Subject: Art and Design
Ranking criteria
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